“There is no use talking about women SHJ-P Weft Feeder empowerment.Mathrubhumi News, the television counterpart of Mathrubhumi Group of media companies has over 70 female employees.Mumbai: Looks like Culture Machine’s ‘First Day of Period Leave’ has sparked the beginning of a transformation with Kerala’s popular news organisation Mathrubhumi News now implementing the same for its female employees.

Mathrubhumi plans to implement this decision in its TV channel wing on an experimental basis.Culture Machine also took this initiative forward by starting an online petition urging the Women and Child Development Ministry and the Ministry of Human Resource Development to realise the FOP leave into legislation.

We should understand women and be with them,” said M V Shreyams Kumar, MLA and Joint Managing Director of the Mathrubhumi Printing and Publishing Co Ltd, in a report in Indian Express.Talking to Deccan Chronicle, Mumbai based company Culture Machine’s Devleena S Majumder, President – People and Culture, had said, “It was not just a policy for the company, it was a gesture of support towards all women”. “We may adopt this in other divisions of the group later,” said Kumar.Kumar admitted that this decision was inspired by Culture Machine’s announcement

Manipur220 Tripura220 Mizoram100 Arunachal Pradesh110 Sports, Cricket India-Australia series meaningless: Chappell Published: Oct 7, 2013, 1:50 pm IST Updated: Oct 7, 2013, 1:50 pm IST Chennai: Coming down heavily on Cricket Australia for agreeing to the upcoming ODI series against India, former captain Ian Chappell said the “badly timed“ weft feeder suppliers matches will dent the team's morale by expo Chennai: Coming down heavily on Cricket Australia for agreeing to the upcoming ODI series against India, former captain Ian Chappell said the “badly timed“ matches will dent the team's morale by exposing its “glaring“ batting frailties on spin-friendly tracks. The visiting team would have another twoday practice session at the Cricket Club of India before leaving for Rajkot for the opening T20 game and they are expected to have proper net sessions tomorrow morning.“The flaws have become so glaring that at a Lord's Taverners function I attended recently in London, the comments from former players were pointed.

The team, which arrived last night, had a light training session and played football in their one-hour outing here. Without Clarke to guide them and be a steady source of runs, Australia are at risk of again losing in India,“ he said. “Agreeing to this meaningless ODI tour of India so close to an Ashes series is evidence that Cricket Australia is more concerned with dollars than sense,“ Chappell wrote in `ESPN Cricinfo'..“Australia's mounting Test losses not only hurt in the record book but have also shredded the team's aura. `What's happened to Australian batsmanship ' was the welcome from past opponents before I received the obligatory.

Oh, and by the way, how are you ',“ he added. Australia's weakness in this bleak period has been batting in general, and coping with good spin bowling in particular,“ he explained.In the absence of injured skipper Michael Clarke, Chappell said Australia would be all the more vulnerable against an Indian team, which dominates on home turf.BCCI changes timings of India-Australia ODI seriesIndia and Australia will clash in a Twenty20 and seven ODIs starting October 10 in Rajkot.“While few from the ODI team will be in contention for the Test side, a demoralising loss on the eve of an Ashes series won't help Australian morale, while it will boost England's outlook,“ he added..The ODI rubber commences on October 13.OZ START PRACTICE AT MUMBAI'S CCI The Australian cricket team on Sunday sweated it out at the Cricket Club of India in their first training session ahead of the sevenmatch ODI series against India that will be preceded by the lone Twenty20 game at Rajkot on October 10

Varadarajan on the violin, Neyveli B Venkatesh on the Mridangam (these two stellar artists comprising his regular team) and K. This season at Narada Gana Sabha, his pallavi phrasing was “Varada Venkata Gopala”- indicating not just the Lord but also his accompanists for the day — S. A rare artiste who is equally conscious about his audience as much as he is about grammar, conventions and tradition. For the rasika of the older generation there is the thread of classicism that runs through the concert. As evident in the discussions that last for days and sometimes years amidst the rasika crowd.One could call Sanjay Subrahmanyan, a hard working tech-savvy classical vocalist.If someone wants to get a live feel of how Sanjay Subrahmanyan affects his fans, one must go to his concert venue when he starts the “mangalam”. His concerts have something in the offering for every kind of listener. And then there is a secret society which operates with one password: Sanjay Subrahmanyan.

Identification and second guessing of ragas begin to happen. Here is an artiste who truly cares to engage with his followers.The social networks come alive during and after his concert-his facebook page goes live, rasikas post pictures and comments online. The listener can draw from his music, his energy and his gushing positivity. And for a fellow performing musician, there is tremendous insight on how to showcase one’s musical repertoire in a 3-hour format which is aesthetic, classical, enjoyable, without being ostentatious and without a single dull moment. The artistes on stage are clad in simple crisp whites. And while performing a high energy concert, he also poses gracefully for his photographers. Standing ovations that last for several minutes follow the mangalam without a miss.Not to mention his impeccable diction while rendering a Tamil paasuram or a Sanskrit masterpiece of Muthuswami Dikshitar.There are many fan pages of this artiste created exclusively by listeners on facebook, each with about 5000+ members. Tamil is the most anticipated language from this musician since he works like a master craftsman to tastefully embed verses from Mahakavi Bharathiyar and Thiruvalluvar into his pallavi lines.

 For the linguist, there is a variety of languages with a lot of emphasis on Tamil. Exactly as someone was overheard saying in a queue “Part of the charm of Sanjay’s concerts are his facial expressions”. He strives towards perfection in all elements that collectively form a wholesome concert experience. Sanjay Subrahmanyan SHRP Weft Feeder Come December music season in Chennai, we have different groups of rasikas. A number of conference calls are made and flights booked between the Indian states and the United States, to land up in Chennai for the “Sanjay” festival. Only extra plastic chairs, like in a Rajinikanth movie. But from a completely non-musical sense they can learn a thing or two about customer focus, team work, avoiding shortcuts and a “never-say-die” work ethic. No empty seats for his concerts. They can delve in his live and recorded performances throughout the year. The concert day starts for a rasika, with Sanjay’s morning tweets on the evening to come.

There would be a live thread on whether the raga being sung was Jog or Chalanaatai, and the astute Sanjay would cleverly respond with the word “Jog” in his next phrase, to a roaring applause.. Right from the time he releases his December season list, which he does a month ahead, knowing very well that die-hard fans from across the globe will have to make their travel plans. For the music student, there is abundance of learning — right from the variety of varnams, kritis of rare composers, genius raga expansion and mathematics of pallavi. Some rasikas get season passes of one sabha and attend all concerts organised by that sabha alone.V Gopalakrishnan on the Kanjira. There are no boring pauses or reference to iPads for lyrics. The organisers know only too well that tickets for a Sanjay concert get sold within ten minutes of the counter being open.Why Sanjay Subrahmanyan? Very simply put, here is a performer who does not take his audience for granted - ever. A Sanjay concert is very hard to forget and usually results in blissful hangovers.All this is presented with no fuss. Always exuding positivity and ever smiling through his moments of hard work and sweat.After the concert of course, there would be an overflow of reviews, narrations, enlisting of ragas sung, mobile captures, DSLR pictures, videos and a gush of tweets-some of which he graciously shares on his social pages.The buzz begins right from buying tickets. These creative inclusions create “wow” moments in his concert and always evoke outbursts of glee.

Anxiety and excitement build up in equal measure and a number of Sanjay fan groups on facebook and whatsapp start betting on the main raga or pallavi for the day. They truly demonstrate team work which is evident in their on-stage communication and the way Sanjay communicates with his audience throughout the concert. There are some who, like club members, strive to show off their “elite” sabha membership. For the regular rasika with a discerning ear, there are unique ragas like Balahamsa, Manorama and Sanjay's own discovery, a ragam called Dravida Kalavathy.There are many fan pages of this artiste created exclusively by listeners on facebook, each with about 5000+ members. For the newbie, there are viruttams soaked with emotions, needing no prior musical exposure. Then there are those who like to experience a variety of artistes along with a variety of cuisine, so would alternate between the grand and mushrooming sabhas of Mylapore.The personal, professional and leisure schedules of the rasikas of the vocalist Sanjay Subrahmanyan revolve completely around his kutcheri timetable